{"id":477,"date":"2018-10-12T19:24:27","date_gmt":"2018-10-12T17:24:27","guid":{"rendered":"http:\/\/www.caroline-francois-rubino.com\/?page_id=477"},"modified":"2025-07-16T12:27:46","modified_gmt":"2025-07-16T10:27:46","slug":"bio","status":"publish","type":"page","link":"https:\/\/www.caroline-francois-rubino.com\/en\/bio\/","title":{"rendered":"bio"},"content":{"rendered":"<div class=\"flex_column av_one_full  flex_column_div av-zero-column-padding first  \" style='border-radius:0px; '><div style='height:60px' class='hr hr-invisible  '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><\/div>\n<div class=\"flex_column av_one_full  av-animated-generic fade-in  flex_column_div av-zero-column-padding first  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p><a href=\"https:\/\/www.caroline-francois-rubino.com\/wp-content\/uploads\/2022\/07\/Caroline-Fran\u00e7ois-Rubino-atelier.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-4298\" src=\"https:\/\/www.caroline-francois-rubino.com\/wp-content\/uploads\/2022\/07\/Caroline-Fran\u00e7ois-Rubino-atelier-239x300.jpg\" alt=\"\" width=\"239\" height=\"300\" srcset=\"https:\/\/www.caroline-francois-rubino.com\/wp-content\/uploads\/2022\/07\/Caroline-Fran\u00e7ois-Rubino-atelier-239x300.jpg 239w, https:\/\/www.caroline-francois-rubino.com\/wp-content\/uploads\/2022\/07\/Caroline-Fran\u00e7ois-Rubino-atelier-768x963.jpg 768w, https:\/\/www.caroline-francois-rubino.com\/wp-content\/uploads\/2022\/07\/Caroline-Fran\u00e7ois-Rubino-atelier-957x1200.jpg 957w, https:\/\/www.caroline-francois-rubino.com\/wp-content\/uploads\/2022\/07\/Caroline-Fran\u00e7ois-Rubino-atelier-562x705.jpg 562w, https:\/\/www.caroline-francois-rubino.com\/wp-content\/uploads\/2022\/07\/Caroline-Fran\u00e7ois-Rubino-atelier-450x564.jpg 450w, https:\/\/www.caroline-francois-rubino.com\/wp-content\/uploads\/2022\/07\/Caroline-Fran\u00e7ois-Rubino-atelier.jpg 1021w\" sizes=\"auto, (max-width: 239px) 100vw, 239px\" \/><\/a>Born in 1960 in Argentan (France)<span class=\"Apple-converted-space\"><br \/>\nLives and works in the South of <\/span>France<br \/>\nStudied Fine Arts and Art History<br \/>\nTaught in secondary schools from 1983 to 2000<br \/>\nExhibits and works on joint projects with many French and foreign poets<\/p>\n<p><em><strong>Solo Exhibitions<br \/>\n<\/strong><\/em><\/p>\n<p>2025 &#8211; <em>Peintures autour d&#8217;un jardin<\/em>\u00a0&#8211; Librairie Galerie Chant Libre &#8211; Mont\u00e9limar (France)<br \/>\n2024 &#8211; <em>Vues du Mont Ventoux<\/em> &#8211; Librairie L&#8217;Annexe &#8211; Malauc\u00e8ne (France)<br \/>\n2023 &#8211; <em>Nuages<\/em> &#8211; Galerie Olivier Nouvellet &#8211; Paris 6e (France)<br \/>\n2023 &#8211; <em>Aux arbres<\/em> &#8211; Galerie Ombre et Lumi\u00e8re &#8211; Venterol (France)<br \/>\n2022 &#8211; <em>La peinture comme le paysage<\/em> &#8211; Librairie Galerie Chant Libre &#8211; Mont\u00e9limar (France)<br \/>\n2018 &#8211; <em>Apr\u00e8s les jours<\/em> &#8211; Librairie Tonnet &#8211; Pau (France)<br \/>\n2017 &#8211; <em>Caroline Fran\u00e7ois-Rubino, livres avec les po\u00e8tes &#8211;\u00a0<\/em>M\u00e9diath\u00e8que de Pau (France)<br \/>\n2017 &#8211; <em>Kvar lo<\/em> &#8211; Salon de l&#8217;impression typographique et de la po\u00e9sie contemporaine &#8211; Gigondas (France)<br \/>\n2017 &#8211; <em>Ailleurs<\/em> &#8211; Librairie L\u2019escampette &#8211; Pau (France)<br \/>\n2017 &#8211; <em>Hublots<\/em> &#8211; Nau Belles Rencontres &#8211; Le Pouliguen (France)<br \/>\n2016 &#8211; <span class=\"texteID\"><em>John Taylor et Caroline Fran\u00e7ois-Rubino, livres d\u2019artistes<\/em> &#8211;\u00a0<\/span>Biblioth\u00e8que de Bordeaux (France)<br \/>\n2015 &#8211; <em><span class=\"texteID\">Or\u00e9es<\/span><\/em> &#8211; M\u00e9diath\u00e8que de Lourdes (France)<br \/>\n2011 &#8211; <em><span class=\"texteID\">Arri\u00e8re-pays<\/span><\/em> &#8211; Mus\u00e9e Art et Culture &#8211; Lescar (France)<br \/>\n2010 &#8211; <em><span class=\"texteID\">Toiles et Feuilles d\u2019eau<\/span><span class=\"texteID\"> &#8211; <\/span><\/em>Chapelle de la Pers\u00e9v\u00e9rance &#8211; Pau (France) \/ Abbadiale &#8211; Maison des Arts &#8211; Arras-en-Lavedan (France)<br \/>\n2009 &#8211; <span class=\"texteID\"><em>Fen\u00eatres : paysages, passages, voyages<\/em> &#8211;\u00a0<\/span>Maison Carr\u00e9e &#8211; Nay (France) \/ Saint-Joseph &#8211; Nay (France)<br \/>\n1989 &#8211; <em>Fen\u00eatres<\/em> &#8211; Galerie Jean-Paul Chapon &#8211; Bordeaux (France)<\/p>\n<p><em><strong>Group Exhibitions<br \/>\n<\/strong><\/em><\/p>\n<p>2024 &#8211; Page(s Biennale Printemps 2024 &#8211; Bastille Design Center &#8211; Paris 11e<br \/>\n2023 &#8211; <em>P\u00eale-M\u00eale #9<\/em> &#8211; Galerie Olivier Nouvellet &#8211; Paris 6e<br \/>\n2023 &#8211; <em>45 ans d&#8217;\u00c6ncrages &amp; Co<\/em> &#8211; Galerie Olivier Nouvellet &#8211; Paris 6e (France)<br \/>\n2023 &#8211; <em>\u00c6ncrages &amp; Co, &#8220;La couleur des yeux&#8221;<\/em> &#8211; Livres d&#8217;artiste &#8211; Manoir des livres &#8211; Archipel Butor &#8211; Lucinges (France)<br \/>\n2022 &#8211; <em>Fragments<\/em> &#8211; Galerie L&#8217;\u0152il \u00c9coute &#8211; Lyon<br \/>\n2022 &#8211; <em>L&#8217;eau et les r\u00eaves &#8211; Livres pauvres : Arts et po\u00e9sies m\u00eal\u00e9s<\/em> &#8211; Biblioth\u00e8que de Toulouse (France)<br \/>\n2021 &#8211; <em>En regard, \u00e0 l\u2019\u00e9coute : la po\u00e9sie de Pierre Dhainaut \u00e0 travers les livres d\u2019artiste <\/em>&#8211; Centre d&#8217;Arts Plastiques et Visuels de Lille (France)<br \/>\n2021 &#8211; Livres d&#8217;artiste pr\u00e9sent\u00e9s dans l&#8217;Exposition du fonds Pierre Dhainaut &#8211; M\u00e9diath\u00e8que Jean Levy &#8211; Lille-Centre (France)<br \/>\n2020 &#8211; <em>Quand les livres pauvres revisitent Eug\u00e8ne Fromentin<\/em> &#8211; Collection Daniel Leuwers &#8211; M\u00e9diath\u00e8que Michel-Cr\u00e9peau &#8211; La Rochelle (France)<br \/>\n2019 &#8211; <em>De l&#8217;Allemagne &#8211; Une collection de livres d&#8217;artistes \u00e0 Belfort<\/em> &#8211; Daniel Leuwers&#8217;s Collection &#8211; Tour 46 &#8211; Belfort (France)<br \/>\n2019 &#8211; <em>L3V Artists&#8217; books Collection &#8211; Printemps des po\u00e8tes 2019<\/em> &#8211; Demeure de Ronsard &#8211; Prieur\u00e9 de Saint-Cosme (France)<br \/>\n2018 &#8211;\u00a0<em>De l&#8217;image aux mots, \u00e0 l&#8217;autre bout des yeux<\/em> &#8211; Andata Ritorno Gallery &#8211; Geneva (Switzerland)<br \/>\n2018 &#8211; <em> Les Impr\u00e9vues d&#8217;\u00c6ncrages &amp; Co<\/em> &#8211; Abbaye de Baume-les-Dames (France)<br \/>\n2014 &#8211;\u00a0<em>P\u2019Art\u2019Ages<\/em> &#8211; <span class=\"texteID\">Ehpad<\/span> &#8211; Juran\u00e7on (France)<br \/>\n2014 &#8211; <em><span class=\"texteID\"> Accrochage de l\u2019Artoth\u00e8que<\/span><\/em> &#8211; La Minoterie &#8211; Nay (France)<br \/>\n2013 &#8211; <em><span class=\"texteID\">cadeaux d\u2019artistes<\/span><\/em> &#8211; La Minoterie &#8211; Nay (France)<br \/>\n2013 &#8211; <span class=\"texteID\"><em>ARTistes pluriELLES<\/em> <em>&#8211; Arri\u00e8re-pays<\/em> &#8211;<\/span> Abbaye de l\u2019Escaladieu &#8211; Bonnemazon (France)<br \/>\n2013 &#8211; <em>Promenades d\u2019\u00e9t\u00e9\u00a0&#8211; Le son des branches<\/em> &#8211; \u00c9glise de Maz\u00e8res &#8211; Castelnau-Rivi\u00e8re-Basse (France)<br \/>\n2011 &#8211; <em><span class=\"texteID\">cadeaux d\u2019artistes <\/span><\/em>&#8211; La Minoterie &#8211; Nay (France)<br \/>\n2011 &#8211; <em><span class=\"texteID\">Accrochage de l\u2019Artoth\u00e8que<\/span><\/em> &#8211; La Minoterie &#8211; Nay (France)<br \/>\n2010 &#8211; Arros-de-Nay (France)<br \/>\n2009 &#8211; Maison Carr\u00e9e &#8211; Nay (France)<\/p>\n<p><em><strong>Published books<br \/>\n<\/strong><\/em><\/p>\n<p>\u00c6ncrages &amp; Co (France)<br \/>\nAl Manar (France)<br \/>\nArfuyen (France)<br \/>\n\u00c9ditions du Cygne (France)<br \/>\nLanskine (France)<br \/>\nLe Ballet Royal (France)<br \/>\nLe Bateau Fant\u00f4me (France)<br \/>\nLes Lieux-Dits (France)<br \/>\nL&#8217;Ail des ours (France)<br \/>\nL\u2019herbe qui tremble (France)<br \/>\nL\u2019\u0153il \u00e9bloui (France)<br \/>\nPropos 2 \u00e9ditions (France)<br \/>\nVoix d\u2019encre (France)<br \/>\nMimesis Edizioni (Italy)<br \/>\nPietre Vive Editore (Italy)<br \/>\nKoukkida Editions (Greece)<br \/>\nAssociation des \u00e9crivains de la R\u00e9publique serbe (Serbia)<br \/>\nMadHat Press (USA)<br \/>\nThe Bitter Oleander Press (USA)<br \/>\nXenos Books (USA)<\/p>\n<p><em><strong>Artists&#8217; books<br \/>\n<\/strong><\/em><\/p>\n<p>\u00c6ncrages &amp; Co editions<br \/>\nDaniel Leuwers&#8217;s collection of &#8220;Livres pauvres&#8221;<br \/>\nL3V mt galerie collection<br \/>\n&#8220;\u00c0 c\u00f4t\u00e9&#8221; collection &#8211; Les Cahiers du Museur &#8211; Alain Freixe<br \/>\n&#8220;Le singulier impr\u00e9visible&#8221; collection &#8211; Claude and Sophie Chambard<br \/>\n&#8220;Jardins sans rives&#8221; collection &#8211; Caroline Fran\u00e7ois-Rubino<br \/>\n&#8220;Carnets de la rivi\u00e8re&#8221; collection &#8211; Caroline Fran\u00e7ois-Rubino<br \/>\n&#8220;Impression d\u2019Art&#8221; collection &#8211; Les Ateliers Mi\u00e9nn\u00e9e de Lanou\u00e9e<br \/>\n&#8220;Affrontements&#8221; collection &#8211; Index &#8211; Laurent N\u00e9<br \/>\n&#8220;Bandes d\u2019artistes&#8221; collection &#8211; \u00e9ditions Les Lieux-Dits<br \/>\nPrivate collections with Pierre Chappuis, Sabine Dewulf, Pierre Dhainaut, Isabelle L\u00e9vesque, Fran\u00e7ois Rannou, John Taylor<\/p>\n<p><em><strong>Public collections<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/strong><\/em><\/p>\n<p>Paul Val\u00e9ry Museum &#8211; S\u00e8te (France)<br \/>\nPrieur\u00e9 de Saint-Cosme, Demeure de Ronsard &#8211; La Riche (France)<br \/>\nBiblioth\u00e8que Forney &#8211; Paris (France)<br \/>\nBiblioth\u00e8que municipale d&#8217;Angers (France)<br \/>\nBiblioth\u00e8que municipale de Belfort (France)<br \/>\nBiblioth\u00e8que municipale de Nantes (France)<br \/>\nBiblioth\u00e8que de Toulouse (France)<br \/>\nBMI d&#8217;\u00c9pinal (France)<br \/>\nMultimedia Library Jean Levy of Lille-Centre (France)<br \/>\nMultimedia Library of Lourdes (France)<br \/>\nMaison Carr\u00e9e &#8211; Nay (France)<br \/>\nLagos City Hall (France)<\/p>\n<p><em><strong>Private collections<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/strong><\/em><\/p>\n<p>in France and abroad<\/p>\n<p><strong><em>Interviews<\/em><\/strong><\/p>\n<p><a href=\"http:\/\/www.lelitteraire.com\/?p=24533\">lelitt\u00e9raire.com : Du ciel &#8220;cass\u00e9-bleu&#8221; au pays des dunes : entretien avec l&#8217;artiste Caroline Fran\u00e7ois-Rubino<\/a><br \/>\n<a href=\"http:\/\/www.terreaciel.net\/Caroline-Francois-Rubino-et-John-Taylor#.WH3ZPVzl9sS\">Terre \u00e0 ciel : Caroline Fran\u00e7ois-Rubino et John Taylor <\/a><br \/>\n<a href=\"https:\/\/www.terreaciel.net\/Entretien-avec-Caroline-Francois-Rubino-par-Isabelle-Levesque?fbclid=IwAR0djVJzELDQWhRuGk6EfolBPjkxCnTQLtpaqQH_AeFqL8_M9bTKm6tQBck#.Xp2a_nLgqUl\">Terre \u00e0 ciel : Entretien avec Caroline Francois-Rubino, par Isabelle L\u00e9vesque<\/a><br \/>\n<a href=\"https:\/\/www.terreaciel.net\/Livres-d-artiste-avec-Caroline-Francois-Rubino?fbclid=IwAR3HiIzHa9h0gIvruW1CpQFzY6EXgtHZrGtYW7Qz9w1EaK3RX2EBwO2zv38#.Xp2bEHLgqUm\">Terre \u00e0 ciel : Livres d&#8217;artiste avec Caroline Francois-Rubino<\/a><\/p>\n<p><strong><em>Reviews<\/em><\/strong><\/p>\n<p>Arpa<br \/>\nAutre-Monde<br \/>\nBabel Heureuse<br \/>\nCCP cahier critique de po\u00e9sie<br \/>\n<a href=\"https:\/\/www.cequireste.fr\/author\/caroline-francois-rubino\/\">Ce qui reste<\/a><br \/>\nDi\u00e9r\u00e8se<br \/>\n<a href=\"https:\/\/enjambeesfauves.wordpress.com\/tag\/caroline-francois-rubino\/\">Enjamb\u00e9es fauves<\/a><br \/>\nEurope<br \/>\n<a href=\"https:\/\/www.nouvelle-quinzaine-litteraire.fr\/mode-lecture\/naissance-du-poeme-1204\">La Nouvelle Quinzaine Litt\u00e9raire<\/a><br \/>\nLe Journal des Po\u00e8tes<br \/>\n<a href=\"http:\/\/www.lelitteraire.com\/?p=29759\">lelitteraire.com<\/a><br \/>\nLe livre s&#8217;est ouvert<br \/>\nLe Matricule des Anges<br \/>\nLibr-critique<br \/>\nMargutte<br \/>\nMenab\u00f2<br \/>\nMobilis<br \/>\nNu(e)<br \/>\n<a href=\"https:\/\/sites.google.com\/site\/revuepaysagesecrits\/archives\/numero-26\/pe26---caroline-francois-rubino\">Paysages \u00c9crits<\/a><br \/>\nPo\u00e9zibao<br \/>\n<a href=\"https:\/\/www.recoursaupoeme.fr\/pierre-dhainautetat-present-du-peut-etre\/\">Recours au po\u00e8me<\/a><br \/>\nRemue.net<br \/>\nRevue 303<br \/>\nSamgha, rivista culturale<br \/>\nSpered Gouez<br \/>\n<a href=\"http:\/\/martinritman.blogspot.com\/2016\/09\/hublots-de-john-taylor-francoise-daviet.html?spref=fb\">Ta r\u00e9sonance<\/a><br \/>\nTerre \u00e0 ciel<br \/>\n<a href=\"https:\/\/terresdefemmes.blogs.com\/mon_weblog\/2017\/12\/pierre-dhainaut-caroline-fran%C3%A7ois-rubino-paysage-de-gen%C3%A8se-extrait.html\">Terres de Femmes<\/a><br \/>\nThe Antioch Review<br \/>\n<a href=\"http:\/\/www.traductions.it\/?page_id=2355\">Traductions.it<\/a><br \/>\n<a href=\"http:\/\/www.unnecessairemalentendu.com\/tag\/caroline+fran%C3%A7ois-rubino\">Un n\u00e9cessaire malentendu<\/a><\/p>\n<\/div><\/section><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-477","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.caroline-francois-rubino.com\/en\/wp-json\/wp\/v2\/pages\/477\/"}],"collection":[{"href":"https:\/\/www.caroline-francois-rubino.com\/en\/wp-json\/wp\/v2\/pages\/"}],"about":[{"href":"https:\/\/www.caroline-francois-rubino.com\/en\/wp-json\/wp\/v2\/types\/page\/"}],"author":[{"embeddable":true,"href":"https:\/\/www.caroline-francois-rubino.com\/en\/wp-json\/wp\/v2\/users\/1\/"}],"replies":[{"embeddable":true,"href":"https:\/\/www.caroline-francois-rubino.com\/en\/wp-json\/wp\/v2\/comments\/?post=477"}],"version-history":[{"count":124,"href":"https:\/\/www.caroline-francois-rubino.com\/en\/wp-json\/wp\/v2\/pages\/477\/revisions\/"}],"predecessor-version":[{"id":5654,"href":"https:\/\/www.caroline-francois-rubino.com\/en\/wp-json\/wp\/v2\/pages\/477\/revisions\/5654\/"}],"wp:attachment":[{"href":"https:\/\/www.caroline-francois-rubino.com\/en\/wp-json\/wp\/v2\/media\/?parent=477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}